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AMST3950: Gender and Popular Culture

OSU-Tulsa Spring 2003

Professor Stacy Takacs

Course Description

What does it mean to be a man or woman in contemporary American society? Where do our ideals of masculinity and femininity derive from? How have these ideals changed over time, and how are they related to issues of biological difference? This course will attempt to answer such questions through cultural analysis. We will begin with the assumption that gender is not necessarily the same as biological sex. Rather, gender is the socially constructed set of meanings that we make of biological difference. We will undertake an historical analysis of how our ideas of masculinity and femininity have come about and how they have been modified over time by examining popular cultural texts and practices in several areas: children’s culture, sport, music, film, TV, and print culture (2 novels, one from the 50s and one contemporary). Some of our examples will be drawn from historical texts and some will be contemporary. This arrangement will help us see how our ideas of masculinity and femininity have shifted over time and are, therefore, relatively unstable. Acknowledging the instability of our gender categories will, hopefully, enable us to demystify and challenge some of the connections between gender and power that shape contemporary social life in problematic ways.

Required Texts | Course Requirements | Course Schedule


Required Texts

Susan Douglas, Where the Girls Are
Alan Klein, Little Big Men
Sloan Wilson, Man in the Grey Flannel Suit
Ruth Ozeki, My Year of Meats

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Course Policies and Requirements

Exams (1 Mid-Term, 1 Final): Exams will cover the course readings, lectures, and discussions in equal measure. Check the course schedule to determine exam dates. Make-up exams will be given only in cases of documented emergency and only if I am notified of said emergency on the scheduled date of the exam.

Research Paper: You will write a 7-10 page research paper analyzing the relationship between a cultural object or practice of your choosing and issues of gender identity construction. Exact details will be forthcoming (check the course schedule for the due date).   

On-Line Response Papers: This class will utilize an on-line Discussion Board to enhance reading comprehension. Each week there will be a brief writing assignment related to the readings posted on the discussion board for this course. You will be required to complete at least 10 of these assignments over the course of the semester, but you may choose which 10.

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Course Schedule

Do all assigned reading before you come to class on the day it is listed in the schedule.
E-reserves will be marked with an asterisk.

Unit 1 | Unit 2 | Unit 3 | Unit 4 | Unit 5 | Unit 6


1/16   

Introduction to Course

Video: Is it a Boy or a Girl?

Children’s Culture

1/23 Read:  
*Zipes, Grimm's Firytales, ”Tale about the boy who went forth to learn what fear was”
*Zipes, Grimm's Fairytales, "Iron Hans"
*Robert Bly, “The Pillow and the Key” from Iron John
*
Anne Sexton, "Iron Hans"
*Zipes, Grimm's Fairytales "Cinderella
Roald Dahl, "Cinderella"
*Anne Sexton, "Cinderella"
*Maeve Binchy, "Cinderella Re-Examined"
*Angela Carter, "Ashputtle: or, The Mother’s Ghost"
*Simone DeBeauvoir, from The Second Sex

1/30

 

Read:
*Stuart Hall “Notes on Deconstructing the Popular”
*Susan Willis, “Gender as Commodity”
*Karen Klugman, “Bad Hair Day for GI Joe” 

Video
: Barbie Nation

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The Fifties: A Case Study in Modern Gender

2/6 Read:

Susan Douglas, Where the Girls Are, Intro and Chapters 1-2
*Paul Wylie, "Common Women" from Generation of Vipers

Video: David Halberstam's The Fifties (vol. 3); Manchurian Candidate

2/13   Video: The Man in the Grey Flannel Suit
2/20 Read:

Sloan Wilson, The Man in the Grey Flannel Suit

Midterm Due


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Case Studies in Popular Culture: Music & Gender


2/27 Read:

Susan Douglas, Where the Girls Are Chaps. 3-5

3/6 Read:

*Robert Walser, “Forging Masculinity: Heavy Metal Sounds & Images of Gender”
*Mary Celeste Kearney, "The Missing Links: Riot GRRRL-Feminism-Lesbian Culture"


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Case Studies in Popular Culture II: Sports & Gender
3/13 Read:  Alan Klein (chapters 1-2, 4, 6-9)

Video: Pumping Iron I & II; Chyna’s Diary (MTV)

3/20 Spring Break: No Class

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Case Studies in Popular Culture III: Film & Gender

3/27 Read:

*Laura Mulvey, “Visual Pleasure and Narrative Cinema”

Video: Hitchcock selections

4/3 Read:

*Carol Clover, “Her Body/Him Self”

Video: Halloween or Texas Chainsaw Massacre II


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Case Studies in Popular Culture IV: TV & Gender


4/10 Read: Susan Douglas, Where the Girls Are Chaps. 6-12 & Epilogue
4/17 Read:

* Frederic Jameson, “Postmodernism and Consumer Society”
*Lynn Joyrich, “Critical and Textual Hypermasculinity”

Video: Miami Vice


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Postmodern Identities: DIY?

4/24 Read:

*Alexander Doty, “The Sissy Boy, the Fat Ladies, and the Dykes: Queerness and/as Gender in Pee-Wee's World”

Video: Pee Wee’s Playhouse

Essay Due

5/1 Read: Ruth Ozeki, My Year of Meats

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5/8   Final

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