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AMST3433:
Television Studies
OSU Tulsa
Fall 2004
Professor
Stacy Takacs
Course
Description
| Television
is perhaps the most ubiquitous and overlooked of all media. In
its various forms—as commercial broadcast receiver, video
playback unit, surveillance agent, art object, gaming and computer
screen—it has come to shape our reality, yet few have stopped
to examine the medium in any depth. This is because the medium
appears transparent to us. We take its narratives, images, and
effects for granted because they appear to be “harmless
entertainment.” The problem is compounded by the fact that
we live with the receiver, arranging our rooms around it and casually
talking to it as to a friend. This course will begin, therefore,
by “making television strange,” deliberately shifting
our assumptions about it so that we can see it for the powerful
social medium that it is. We will work to instill the notion that
entertainment is never neutral. Instead, it teaches us to comprehend
and even arrange our existence in certain ways but not others.
By actively refusing the impulse to take TV for granted, we will
establish a critical vantage point from which to question the
social positions that television invites us to occupy, especially
the positions of consumer and couch potato. This course will be
conducted through lecture and discussion with weekly screenings
of relevant TV programming unavailable outside of class. Evaluation
will consist of 10 on-line discussion postings, 1 essay (5-10
pages), 1 group project, and 2 exams. |
Texts
| Requirements | Schedule
of Readings
Required
Texts
The
following texts can be purchased at the Union bookstore
Lynn Spigel,
Make Room for TV: Television and the Family Ideal in Postwar
America
Aniko Bodroghkozy, Groove Tube: Sixties Television
and the Youth Rebellion
A selection
of articles available in the COURSE MATERIALS folder of BLACKBOARD
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Course
Policies and Requirements
| Attendance
and Participation: Students are expected to attend
every class and participate actively in class discussions,
both real and virtual. I want to be able to remember each and
every one of you from something you have said in class, office
hours, e-mail, or on-line that makes a constructive contribution
to the class.
On-Line
Comprehension Exercises:
You will be asked to post 10 brief responses to
the reading materials on the virtual discussion board, always
before you come to class.
The assignments are posted in the “DISCUSSION BOARD” section
of the Blackboard (http://blackboard.okstate.edu).
Each assignment will be worth ten points, and together they
will comprise 15% of your course grade. There will be
no late postings accepted. These are easy points so
don't forget about them.
Exams:
Exams will consist of identifications, short-answer responses,
and/or essay questions and will cover the course readings, lectures,
and discussions in equal measure. Check the course schedule
to determine exam dates. There will always be a study guide
offered for the exams; it behooves you to use it. Make-up
exams will be given only in cases of documented emergency and
only if I am notified of said emergency well before the scheduled
date and time of the exam. If you contact me after
you miss an exam, I will be unable to help you, and you will
receive a grade of zero.
Group
Project: With
a partner, you will construct a historical timeline
for a single year of television during either the 1970s or 1980s.
Your presentation should identify key programs and/or genres for
the year, important developments in the TV industry for that year
(including technological innovations, regulatory rulings, and/or
business mergers), and central historical events of the year as
these relate to TV. Your grade will derive from a 10-15 minute
oral presentation of your timeline, and a brief (1-2 page) written
explanation of how television developed as a technology and a
cultural form over that year. I will provide a list of possible
resources to aid you in this assignment, but it will require you
to do additional independent research in the library (I will strictly
limit the amount of internet material you can use for this assignment).
Consult the ASSIGNMENTS folder of Blackboard for details of the
assignment, and the Schedule of Readings for the due date.
Essay:
You will write one extended analytical essay (5-10
pages) as your final for this course. The selection of topics
will be provided to you as the assignment nears. Again, this assignment
will require you to do independent research and analysis using
the library's resources. Consult the Schedule of Readings for
the due date. No late papers will be accepted under
any circumstances--don't even ask! |
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Schedule
of Readings
Do
all readings before you come to class and have questions and comments
prepared
Readings
marked with an asterisk can be found in the Course Materials folder
of Blackboard
Unit
1 | Unit 2 | Unit 3
| Unit 4 | Unit 5
Unit
1: Making TV Strange: An Introduction
|
| 8/26 |
|
Introduction |
| 9/2 |
Read |
*John Ellis,
"Broadcast TV as Cultural Form" & "Broadcast
TV as Sound and Image" |
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Unit 2: TV in the Tumultuous 50s
|
| 9/9 |
Read |
Lynn Spigel,
Make Room For TV, Chaps 1-4 (pp. 11-135) |
| 9/16 |
Read |
*George
Kennan, “The Necessity for Containment”
*"NSC-68"
*Harry S. Truman "The Truman Doctrine"
*Joseph McCarthy, "The Internal Communist Menace"
*"The Lavendar Menace"
*J.
Fred MacDonald, "The Cold War as Entertainment”
|
| 9/23 |
|
Exam
I
Library Workshop
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Unit 3: TV Revolution
in the 1960s
|
| 9/30 |
Read
View |
*Mary
Ann Watson, "The Chosen Instrument of Revolution"
*Mary Beth Haralovich, "I-Spy's 'Living Postcards'"
Color
Adjustment, Dir. Marlon Riggs |
| 10/7 |
Read |
*Marshall
McLuhan, "The Medium is the Message"
Aniko Bodroghkozy, Groove Tube "Introduction"
+ Chap. 1 (pp. 1-60) |
| 10/14 |
Read |
Aniko Bodroghkozy,
Groove Tube Chaps. 2-4 (pp. 61-163) |
| 10/21 |
Read |
Aniko Bodroghkozy,
Groove Tube Chaps. 5-6 (pp. 164-235) |
| 10/28 |
|
Television
Timeline Project Due
Project Discussions:
1970s-1980s TV |
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Unit 4: Genre Study--Reality
Television |
| 11/4 |
Read
View
|
*Jane Feuer,
“The Concept of Live Television: Ontology as Ideology”
*Bernard Timburg, "The Unspoken Rules of TV Talk"
Signal
to Noise |
| 11/11 |
Read |
*Ted Magder,
"The End of TV 101"
*Nick Couldry, "Teaching Us to Fake It" |
| 11/18 |
View |
Series
7
Exam
II |
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Unit 5: Postnetwork TV--Pleasures,
Possibilities, & Limitations of the New Media Environment
|
| 12/2 |
Read |
*Michael
Curtin, "The Neo-Network Era"
*Todd Gitlin, "Under the Sign of Mickey Mouse &
Co."
|
| 12/9 |
Read |
*Henry
Jenkins, "Star Trek Re-Run, Re-Read, Re-Written"
*John Caldwell, "The Televisual Audience: Interactive Pizza" |
| 12/16 |
|
Essay
Due |
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