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AMST3253:
Globalization and American Culture
OSU
Tulsa Spring 2006
Professor
Stacy Takacs
Course
Description
The term
globalization refers to the increased interpenetration of international
economic, legal, social, and cultural systems. With the aid of
faster and better technologies of communication and transportation,
people, money, goods, images, and ideas now circulate around the
world at lightening speed, changing our perceptions about space,
place, and identity. If you play poker on the internet, your opponent
may "feel"like she occupies the same room with you though
she may actually be located in China or India or Australia. Communication
systems, like telephones, satellites, and computer networks, overcome
geographic barriers to social exchanges of all types. Our national
boundaries no longer feel as well-defined, as thousands upon thousands
of border crossings like this occur every day. As our sense of
temporal co-presence with others in the world eclipses our sense
of geographical rootedness, what happens to our notions of collective
identity? What defines "America" in such a context?
Is "America"a place or a set of free-floating values
and beliefs? Is it the property of citizens of the United States
alone, or has the global circulation of American culture opened
the term up to new users? Can the US control the uses people in
the world make of our national images, ideas, and ideals? How
must we begin to think about culture and society differently in
the age of globalization? These are the questions we will tackle
in this course. Assessment for the course will consist of two
exams, a series of responses to course readings, and a research
project related to course topics.
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Required
Texts
Reinhold
Wagnleitner and Elaine Tyler May, eds. Here, There, and Everywhere:
The Foreign Politics of American Popular Culture
Patrick Neate,
Where You're At: Notes From the Frontlines of a Hip Hop Planet
A selection
of readings available in the "Course Materials"folder
of Blackboard. These will be marked with an asterisk in the schedule
of readings.
Index
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Course
Policies and Requirements
Attendance
and Participation: Students are expected to attend
every class and participate actively in class discussions, both
real and virtual. I want to be able to remember each and every
one of you from something you have said in class, office hours,
e-mail, or on-line that makes a constructive contribution to the
class.
Excessive
absence may result in
a failing grade for the course. Absences will be excused only
for dire illness and family emergency, both of which must be
substantiated by documentation (a Dr's note, a funeral notice,
etc.). If you accumulate more than one unexcused absence,
you forfeit the right to earn extra-credit points.
Active
participation means:
- You
will have read the materials and completed any writing assignments,
including on-line assignments, before you arrive in class.
- You
will bring the day's reading materials with you to class so
that you may refer to them.
- You
will engage with and respond to your peers during both large
and small group discussions and during on-line assignments.
- You
will listen attentively to every speaker and respond respectfully
to the ideas of others.
- You
will exhibit a deliberate effort to apply, extend, and challenge
concepts that we generate in class.
- You
will demonstrate your curiosity and willingness to ask questions,
advance comparisons, and make observations.
On-Line
Discussion Postings:
Over the 15 weeks of this course, you must post 10 brief
responses to comprehension questions about the assigned readings.
You may decide which 10 assignments to respond to out of the 15
available, but you may submit only one response per week. The
questions will be posted in the "DISCUSSION BOARD" section
of the Blackboard (http://blackboard.okstate.edu), and your responses
should also be posted there (do not email them to me or submit
them in hard copy). These assignments will always be due before
you come to class. There will be no late postings accepted.
Each assignment will be worth ten points, and together they will
comprise 10% of your course grade. These are easy points so don't
forget about them! Students with excellent attendance (1 absence
or less) may earn up to 20 extra credit points by posting two
additional messages (though you still may submit only one response
per week).
Research
Project: The assignment will be worth 300 points, and
will comprise 30% of your course grade. You will select a topic
related to either the global export of US culture or the US import
of cultural products/ideas from other nations. You will be asked
to analyze this topic in relation to particular questions outlined
on the assignment sheet. The final product may be in the form
of an essay or a website (if you have web-building skills and
access to the technology). See the Assignments Folder for full
details and the schedule for due dates.
Exams:
There will be one mid-term and one final exam in this class. The
exams will consist of identifications, short-answer responses,
and/or essay questions and will cover the course readings, lectures,
and discussions in equal measure. Check the course schedule to
determine the exam dates. There will be a study guide offered
for each exam; it behooves you to use these. Make-up exams
will be given only in cases of documented emergency and only if
I am notified of said emergency well before the scheduled date
and time of the exam. If you contact me after you miss
an exam, I will be unable to help you, and you will receive a
grade of zero. The exams will be worth 300 points each, and together
will comprise 60% of your course grade.
Extra
Credit: Those
of you who maintain excellent attendance (1 or fewer absences)
will have the opportunity to earn Extra Credit points for up to
(but not exceeding) TWO show and tell performances in class.
Bring in an object, text, or experience of global cultural exchange
or interaction and explain its history and significance in relation
to our course topics for ten points of extra credit. For example,
you might bring in and share a clip from a Hong Kong action film
on the day we are discussing the appropriation of Asian cultures
in the US. You would want to show the clip, discuss its production
history or a little information about Hong Kong cinema, and connect
the clip to a concept we are using in class (like "appropriation"
or "hybridity" or "traveling cultures"). The
performance must be brief (no more than 5 minutes), and it must
have a point. Performances that do not critically analyze or contextualize
the object, text, or experience will not receive any credit (i.e.
you must do more than "show;" you must also "tell"
us why this matters or how it relates to our class discussions).
You may do these at any time, but I urge you to consult the Schedule
of Readings and introduce your "Show-and-Tell" piece
when it is most relevant to the day's discussion topic. In
addition to these Show and Tell performances, those with excellent
attendance may post up to (but not exceeding) two additional discussion
postings (see "Discussion Postings"
description for details). That would make a total of 40 additional
points for those who choose to pursue them.
Academic
Honesty: All work you turn in for this class must
be your own work. Unintentional, or accidental, plagiarism
due to faulty citations or improper use of sources will result
in (a) a course of remediation designed to correct problems with
your use of source materials at the drafting phase and (b) a
failing grade for the assignment (if the problems persist).
Intentional plagiarism will result in a failing grade for the
course and possible referral to the Dean's office for disciplinary
action. Consult OSU's Code of Student Conduct
for more information on Academic Misconduct.
Special
Needs and Disabilities: Please feel free to contact me with any special needs that
you may have related to a physical or mental disability; I'll
be happy to work with you to accommodate your needs. NOTE: If
you have a disability, physical or otherwise, you must register
with the appropriate liaison in the Student Services Center, North
Hall.
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Grading:
| On-Line
Discussion |
10% |
(100
points) |
A=90-100% |
| Research
Project |
30% |
(300
points) |
B=80-89% |
| Midterm
Exam |
30% |
(300
points) |
C=70-79% |
| Final
Exam |
30% |
(300
points) |
D=60-69% |
| Total |
100% |
(1000
points) |
F=59%
or less |
Index
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Course
Schedule
- Do all
assigned reading before you come to class and be prepared to
discuss with questions or comments in mind.
- Selections
starred with an asterisk can be found in the "Course Materials"folder
of Blackboard.
Weeks
1-3 | Weeks 4-5 | Weeks
6-9 | Weeks 10-12 | Weeks
13-16
America
as Contact Zone: Then and Now
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1/10 |
Introduction:
America as a "Contact Zone"
Screening:
The Black Robe
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| 1/17
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Contact
in the New World: Some Accounts
*John
Demos, selection from The Unredeemed Captive
Plus ONE of the following primary text descriptions
of life in the New World (I will assign these in class):
*New
Spain: Christopher Columbus; Bartolome de Las
Casas; Alvar Nunez Cabeza de Vaca
*New France: Michel de Montaigne; Samuel
de Champlain, Jesuit Missionaries on Indian Life; Marquis
de Seignelay
*New England: Thomas Harriot; John Smith;
John Winthrop; William Bradford; John Heckewelder
*Native America: Indians of the Six Nations
to William & Mary College; Samson Occom; Indian Voices
on Colonialism (Nicolar, LeClerq, Apes, Miantonomo, Powhatan)
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| 1/24
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Contemporary
US as Contact Zone
*Patricia
Nelson Limerick, "Racialism on the Run"
*Doug Brown, "Globalization, Iowa Pork, and Hometown
Tweakers"
*Henry Yu, "Los Angeles and American Studies in a Pacific
World of Migrations"
Screening:
Crash |
No
Pure Culture: Cultural Appropriation in the US
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| 1/31 |
Re-Defining
Culture for a Global Context
*Raymond
Williams, "Culture"
*James Clifford, "Traveling Cultures"
*bell hooks, "Eating the Other"
Screening:
A Day without a Mexican
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| 2/7 |
Appropriating
Asian Cultures
*Gertrude
Thomas, Selection from Richer than Spices
*Chinese Immigration History, some documents
*Eric Liu, Selections from The Accidental Asian
*Warren Cohen, "The Asianization of America"
Screening:
My America -Or Honk If You Love Buddha; Clips
from Ghost Dog, Kill Bill, The Guru,
and others |
Globalization
as Americanization?: US Culture and Cultural Imperialism
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| 2/14 |
Histories
of US Global Expansion
John
Blair, "First Steps Toward Globalization" in May
and Wagnleitner
James Campbell, "Americanization of South Africa"
in May and Wagnleitner
*Constance Classen, "Sugar Cane, Coca Cola and Hypermarkets:
Consumption and Surrealism in the Argentine Northwest"
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| 2/21 |
Media
Culture and the Globalization of the American Dream
Theodore
Wilson, "Selling America Via the Silver Screen"
in May and Wagnleitner
Giuliana Musco, "Invasion and Counterattack" in
May and Wagnleitner
Nosa Owens-Ibie, "Programmed for Domination" in
May and Wagnleitner
Gülriz Büken, "Backlash: An Argument Against
the Spread of American Popular Culture in Turkey" in
May and Wagnleitner
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Appropriation,
Incorporation, Hybridization: Consuming American Culture
Abroad
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| 2/28 |
The
(Unpredictable) Uses of Material Culture
Rob
Kroes, "Advertising: The Commodification of American
Icons of Freedom" in May and Wagnleitner
*Reinhold Wagnleitner, "The Children of Schmal(t)z
and Coca-Cola"
*Daniel Miller, "Coca-Cola: A Black Sweet Drink from
Trinidad"
Topic
Proposals for Research Projects Due
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| 3/7 |
Midterm
Exam
Screening:
The Gods Must Be Crazy
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| 3/14 |
Class
Cancelled--Spring Break
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| 3/21 |
The
(Multiple) Interpretations of Media Culture
Aurora
Bosch and M. Fernanda del Rincon, "Dreams in a Dictatorship"
in May and Wagnleitner
Thomas Fuchs, "Rock and Roll in the GDR" in May
and Wagnleitner
Masako Notoji, "Cultural Transformation of John Philip
Sousa and Disneyland" in May and Wagnleitner
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| 3/28 |
Myles
Dungan and David Gray, "Consumption of American Popular
Culture in Ireland and England" in May and Wagnleitner
*Kirsten Drotner, "'Donald Seems So Danish': Disney
and the Formation of Cultural Identity"
*Daniel Miller, "The Young and the Restless in Trinidad"
Draft
of Research Project Due |
Case
Study: Global Hip Hop
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| 4/4 |
*Matthew
Fraser, "Pop Goes the World"
*George Lipsitz, "The Lion and the Spider: Mapping
Sexuality, Space, and Politics in Miami Music"
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| 4/11 |
*Robert
Farris Thompson, "Hip Hop 101"
*Tricia Rose, "Voices From the Margins: Rap Music and
Contemporary Black Cultural Production"
Christopher Ribbat "How Hip Hop Hit Heidelberg"
in May and Wagnleitner
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| 4/18 |
Patrick
Neate, Where You're At, Introduction + Chaps 1-2
Research
Project Due
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| 4/25 |
Patrick
Neate, Where You're At, Chaps 3-5
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| 5/7 |
Final
Exam (6-7:50
p.m. NCB 396) |
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