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Students
in all sections of Introduction to Film learn about the fundamental
elements of film form and narrative structure. This honors section
intensifies the standard course in three ways. First, students will
be required to compose a series of short papers in response to weekly
screenings, the best of which will be posted to our course website.
Secondly, our readings will be more intensive, engaging with difficult
issues in contemporary film theory. Lastly, our course screenings
and discussion will be organized around the theme of “Cult Cinema,”
focusing on the works of directors such as David Lynch, George Romero,
John Waters, David Cronenberg, Luis Buńuel, Barbara Peeters,
Samuel Fuller, Seijun Suzuki, Monte Hellman, John Cassavetes, Takashi
Miike, and Edgar G. Ulmer. |
week
three
9/6 NÓZ W WODZIE, aka "Knife in the Water" (1962)
week
four 9/13 MESHES
OF THE AFTERNOON (1943)
week
five
9/20 TWIN PEAKS, episode 002 (1990)
week
six
9/27 CREATION OF THE HUMANOIDS (1962)
week
seven
10/4 CAREFUL (1992)
week
ten
10/25 THE OLD DARK HOUSE (1932)
week
twelve
11/8 OSAMA (2003)
week
thirteen
11/15 THE FAT SPY (1965)
week
fourteen
11/23 Michel Chion on La Voix Acousmatique
week
sixteen
12/6 THE MAN ON THE TRAIN (2002)
>
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a n o n ' s c o u r s e p a g e s
Page layout and design ©2004 by Hugh S. Manon for the Oklahoma State University
Film Program. Some images on this page are the property of a third party
and are used with permission. The marks of Oklahoma State University are
controlled under a licensing program administered by The Collegiate Licensing
Company.
Last
update: 10/10/2004
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